| 発売日 | 2016年11月18日 |
| ジャンル | SOUL/CLUB/RAP |
| フォーマット | CD |
| 構成数 | 1 |
| 製造国 | 輸入盤(ヨーロッパ盤) |
| レーベル | Atlantic |
| SKU | 075678662737 |
| 規格品番 | 7567866273 |
| ・構成数 | 1 ・合計収録時間 | 00:33:28 ・情報取得元区分 | Audio Mixer: Serban Ghenea.Photographer: Kai Z Feng.Released four years after the multi-platinum Unorthodox Jukebox, 24K Magic -- or XXIVK Magic, if you're foolish enough to go by the cover -- might as well be considered the full-length sequel to "Uptown Funk," Bruno Mars' 2014 hit collaboration with Mark Ronson. On his third album, Mars, joined primarily by old comrades Philip Lawrence, Brody Brown, and James Fauntleroy, sheds the reggae and new wave inspirations and goes all-out R&B. This is less an affected retro-soul pastiche -- like, say, The Return of Bruno -- than it is an amusing '80s-centric tribute to black radio. Sonically, '80s here means the gamut and the aftershocks felt the following decade, from the sparking midtempo groove in "Chunky," which recalls Shalamar even more than album two's "Treasure," to some full-blooded new jack swing moves. The clock is turned back a couple more decades to passable strutting James Brown-isms in "Perm," while "Too Good to Say Goodbye," co-written by Babyface, draws its structure and certain components from early-'70s Philly soul. Almost all of the material involves Mars in winking bad-boy player mode. He's often just ampin' like Bobby, yet the performances are undeniable, dealt out with all the determination and attitude of a kid who just bought a custom lavender Razz with his paper route money. Lead single "24K Magic" is a scrupulous compound of early-'80s funk tricks, another needed injection of good-time energy into commercial airwaves, but the album's true triumph is buried near the end -- not that it takes long to get there -- and scrapes the dawn of the '90s. In living color, decked out with a rattling breakbeat and zipping bassline, "Finesse" revisits the era when producers like Teddy Riley, Dave "Jam" Hall, and Dr. Freeze pushed their genre forward by fusing hip-hop to what they learned from electronic post-disco R&B pioneered by Leon Sylvers III, Kashif, and Jimmy Jam and Terry Lewis. Like much of what precedes it, the song is a blast. Those who want their rich and modern synthesizer funk minus flash would do well to seek Bugz in the Attic's "Consequences," Dam-Funk's "Galactic Fun," Amalia's "Welcome to Me," and Anderson Paak's "Am I Wrong," for starters. ~ Andy Kellman 1.CD
| ||||||||||||||||||||||||||||||
| ・構成数 | 1 ・合計収録時間 | 00:33:28 ・情報取得元区分 | Audio Mixer: Serban Ghenea.Photographer: Kai Z Feng.Released four years after the multi-platinum Unorthodox Jukebox, 24K Magic -- or XXIVK Magic, if you're foolish enough to go by the cover -- might as well be considered the full-length sequel to "Uptown Funk," Bruno Mars' 2014 hit collaboration with Mark Ronson. On his third album, Mars, joined primarily by old comrades Philip Lawrence, Brody Brown, and James Fauntleroy, sheds the reggae and new wave inspirations and goes all-out R&B. This is less an affected retro-soul pastiche -- like, say, The Return of Bruno -- than it is an amusing '80s-centric tribute to black radio. Sonically, '80s here means the gamut and the aftershocks felt the following decade, from the sparking midtempo groove in "Chunky," which recalls Shalamar even more than album two's "Treasure," to some full-blooded new jack swing moves. The clock is turned back a couple more decades to passable strutting James Brown-isms in "Perm," while "Too Good to Say Goodbye," co-written by Babyface, draws its structure and certain components from early-'70s Philly soul. Almost all of the material involves Mars in winking bad-boy player mode. He's often just ampin' like Bobby, yet the performances are undeniable, dealt out with all the determination and attitude of a kid who just bought a custom lavender Razz with his paper route money. Lead single "24K Magic" is a scrupulous compound of early-'80s funk tricks, another needed injection of good-time energy into commercial airwaves, but the album's true triumph is buried near the end -- not that it takes long to get there -- and scrapes the dawn of the '90s. In living color, decked out with a rattling breakbeat and zipping bassline, "Finesse" revisits the era when producers like Teddy Riley, Dave "Jam" Hall, and Dr. Freeze pushed their genre forward by fusing hip-hop to what they learned from electronic post-disco R&B pioneered by Leon Sylvers III, Kashif, and Jimmy Jam and Terry Lewis. Like much of what precedes it, the song is a blast. Those who want their rich and modern synthesizer funk minus flash would do well to seek Bugz in the Attic's "Consequences," Dam-Funk's "Galactic Fun," Amalia's "Welcome to Me," and Anderson Paak's "Am I Wrong," for starters. ~ Andy Kellman 1.CD
| ||||||||||||||||||||||||||||||
|
到各大網上商店或 JapanChill
的商品分類頁面搜尋心儀商品
確認購買商品時，只需
支付商品價格的金額作為訂金
當您已儲值足夠款項，便可提交
代購/代Bid訂單並由系統自動確認
商品到達香港後，您將會收到短訊
提示；我們會按照您訂單上所選擇
的提取方式（門市自取或直送到戶）安排交收
感謝閣下使用 JapanChill 服務，
希望您購物愉快！
